SAT 4/29
  I’LL BE YOUR MIRROR:  Andy Warhol’s 8 HOUR Empire PROJECTED IN 16MM!!!
EXPLODED VIEW FUNDRAISER, HAPPENING & feast!!!

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Co-presented by Olivier Mosset ($20, $15 students)  7pm- 3am

 

“The best, most temporal way of making a building that I ever heard of is by making it with light. The Fascists did a lot of this “light architecture.”  If you build buildings with lights outside, you can make them indefinite, and then when you’re through using them

you shut the lights off and they disappear.”

-Andy Warhol (1975)

 

A feast for all senses, EV invites you to our polyphonic living installation of film, music and multiple multi-channeled mayhem. The Exploded View gallery will be transformed into giant mirrored chamber within which will be projected Andy Warhol’s 1964 silent 8 hour/10 reel film masterpiece EMPIRE. The back of the Tooleshed warehouse will be transformed into a Warholian scenemaker lounge FACTORY with couches, carpets, silk-screening, lots of food, libations and trippy visuals accompanied by DJ sets and live music from Caleb Gutierrez (DesertDeer), Nika Kaiser, Clif Taylor, Oliver Ray, Carl Hanni & more. This come-and-go event is a first time fundraiser for Exploded View, as we enter our 5th year, to stay strong in our mission of cultivating film, music and provocation!

WED 4/5
TUCSON NOISE SYMPOSIUM: 8 (bits) of harsh + NOT BREATHING

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A mashup night of harsh noise and primitive 8 bit (utopian) video games! Hacking into the evening is Tucson’s twisted techno treasure Matt Rios navigating hardware game glitches. The feature act is an epic re-appropriation of 1984’s Kings Quest videogame through the sonic noise of Eric Schlappi, Anthony Sanchez, David Sherman and the all-consuming noise progenitor magus NOT BREATHING (David Wright) and visuals by Falcotronik!!

Wed 2/15  DOUBLE INVOCATION OF SODOM!! 

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Pasolini’s  Salo, 120 Days in Sodom w/ live sound by Jasper Avery of Sunfucked + Luther Price’s Sodom.

It’s been called nauseating, shocking, depraved, pornographic . . . it’s also a masterpiece! Tucson electronic muse Sunfucked accompanies the Pier Paolo Pasolini’s final film, Salò. Set in 1944 Fascist Italy, this transposition of the Marquis de Sade’s eighteenth-century opus of torture and degradation in 1944’s fascist Italy remains one of the most passionately debated films of all time, a thought-provoking inquiry into the political, social, and sexual dynamics that define the world we live in. Opening the show is Luther Price’s 15 minute Super-8 masterpiece Sodom (1989), a brutal assemblage of gay porn footage, dumpster dived from behind buildings in Boston’s Combat Zone. Not only does Price mash up scenes of hardcore sex with footage from biblical films and shots of flames, he also punches holes in the film strip, taping shots of heads or penises back into them and drawing more attention to the surface, the materiality of the film itself. As film critic J. Hoberman put it succinctlySodom “could be the illumination of Jerry Falwell’s unconscious.”

Valerie Kuehne & the Wasps Nests // Vicki Brown // Algae&Tentacles

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Valerie Kuehne & the Wasps Nests // Vicki Brown // Algae&Tentacles

Valerie Kuehne and the Wasps Nests is a band based in New York and Pittsburgh. Valerie leads the group on vocals and cello, Jeffrey Young plays violin, and Alex Cohen plays drums. In performance, they mix grindcore, cabaret, performance art, punk, and neoclassical art song, with a dash of free improvisation. Lucid Culture said that Valerie Kuehne is “part punk classical cellist, part performance artist, but her performance art isn’t the foofy, mannered kind – it’s oldschool 80s style and it has fangs. And it’s hilarious.” Shakefist Magazine called her “a fearless cello master with a relentlessly creative soul.” Her work in this project and others operates under principles of surprise and investigates obsession, comedy, decay, forensic pathology, sex, hypnogogia, viscera, spirituality, and death. She is an advocate for mental illness and addiction, incessantly seeking new ways to break down stigmas and misconceptions about both.

Violinist Vicki Brown explores the intimate liminal spaces between the light and dark, the seen and unseen, the known and unknown. She often describes her music as ‘elemental psychosonic landscapes,’ drawing on her curiosity of what it means to see 63 shades of green through the eyes of an orangutan, what the underside of a bird’s wing sounds like in flight, the drag and push of water as an iceberg makes its passage. Relying on her multiple loop pedals and improvisational approach, she capitalizes on repetition and unbeknownst moments that become integral to the music-making experience. She has toured the US and Europe and collaborates with dancers, film makers, painters, poets and bands.

Algae & Tentacles is a sound project based in Tucson, AZ. John Melillo and different collaborators construct sound-noises through singing, guitar-ing, keyboarding, looping, and other bodily and electronic means.

Friday 1/27
Valerie Kuehne & the Wasps Nests / Vicki Brown / Algae&Tentacles

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Valerie Kuehne and the Wasps Nests is a band based in New York and Pittsburgh. Valerie leads the group on vocals and cello, Jeffrey Young plays violin, and Alex Cohen plays drums. In performance, they mix grindcore, cabaret, performance art, punk, and neoclassical art song, with a dash of free improvisation. Lucid Culture said that Valerie Kuehne is “part punk classical cellist, part performance artist, but her performance art isn’t the foofy, mannered kind – it’s old school 80s style and it has fangs. And it’s hilarious.” Shakefist Magazine called her “a fearless cello master with a relentlessly creative soul.” Her work in this project and others operates under principles of surprise and investigates obsession, comedy, decay, forensic pathology, sex, hypnogogia, viscera, spirituality, and death.

TONY CONRAD TRIBUTE! Tony Conrad: Completely in the Present + Weyant’s TONY BECOMES A BUDDHA

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Since the early 1960s, Tony Conrad’s films and compositions have been the stuff of legend. His development and practice of Just Intonation and Minimalism through his work with Stockhausen and La Monte Young and his pivotal role in the formation of The Velvet Underground has been incredibly influential.  Tony Conrad: Completely in the Present by Tyler Hubby examines the pioneering life and works of this amazing artist, musician, activist and educator.   Opening the show will be Glenn Weyant conducting “TONY BECOMES A BUDDHA”.  Weyant’s original score is built upon sound ideas and philosophical ruminations put forth by Tony Conrad for an orchestra of amplified bowed guitars, cellos, violins, violas . These include but are not limited to: just intonation, 60-cycle amplifier ground hum tuning, improvisation, drone, noise, piezo amplification, harmonics and slavish Pythagorean demagoguery deconstruction. Orchestra is: Glenn Weyant, Samantha Bounkeua, Robert Villa, Sophie Gibson-Rush, Nik Rayne, Grant Beyschau, Connor Gallaher, Richard Young, John Melillo, Miguel Urbina, Jake Sorgen and Vicki Brown!!

LIVE SOUND//SILENT FILM -The Ådventures of Prince Åchmed with live score conducted by Scott Kerr

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The oldest surviving animated feature film and based upon based on the ancient stories “The Arabian Nights.” The Ådventures of Prince Åchmed is a 1926 German animated fairytale feature film by Lotte Reiniger. A handsome prince with a flying horse befriends a witch, meets Aladdin, and battles demons to win a princess. The film features a silhouette animation technique Reiniger had invented; the technique she used for the camera is similar to Wayang shadow puppets, though hers were animated frame by frame, not manipulated in live action. Micheal Henderson, Margaret McClelland, Stefanos Kokranis, Jillian LaCrux, and Kyle Bert join Scott Kerr in accompanying this marvelous film!

Wed 10/5
LIVE SOUND//SILENT FILM – The Ådventures of Prince Åchmed with live score conducted by Scott Kerr

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The oldest surviving animated feature film and based upon based on the ancient stories “The Arabian Nights.”The Ådventures of Prince Åchmed is a 1926 German animated fairytale feature film by Lotte Reiniger. A handsome prince with a flying horse befriends a witch, meets Aladdin, and battles demons to win a princess. The film features a silhouette animation technique Reiniger had invented; the technique she used for the camera is similar to Wayang shadow puppets, though hers were animated frame by frame, not manipulated in live action.Micheal Henderson, Margaret McClelland, Stefanos Kokranis, Jillian LaCrux, and Kyle Bert join Scott Kerr in accompanying this marvelous film!

SEVEN WOMEN, SEVEN SINS + Burning Palm’s What the Daisy Said

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Seven brilliant and controversial women filmmakers were invited to direct for this the 1986 omnibus, Seven Women, Seven Sins: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the opportunity of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, musicals, and radical documentary. Opening the show, Burning Palms breathes haunting new life into Mary Pickford’s 1910 silent film What the Daisy Said with a live score commissioned by the Mary Pickford Foundation.  

WED 9/7
SEVEN WOMEN, SEVEN SINS + Burning Palm’s What the Daisy Said

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Seven brilliant and controversial women filmmakers were invited to direct for this the 1986 omnibus, Seven Women, Seven Sins: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the opportunity of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, musicals, and radical documentary. Opening the show, Burning Palms breathes haunting new life into Mary Pickford’s 1910 silent film What the Daisy Said with a live score commissioned by the Mary Pickford Foundation.