WED 4/12 
Patrick McGuinn’s Desert Rock Opera Valpurnis:SATurAN and live POP music!

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(Patrick McGuinn in person)

‘Valpurnis: SatURan’ (2017, 60 min. Color) Bellowing from the mind of creator Christ Opherstein, this surreal Desert Rock Opera (filmed in Tucson) hurls its politics and religion in your face along with the acid anger of those disenfranchised by society.  Judas has sold Jesus to the Romans, and during the Last Supper, reflections of identity, guilt, entitlement and outrage, Judas’ ten songs take the audience hostage for a bumpy, blindfolded ride in the back of an open jeep.  Gentle Jesus in various manifestations counters the rage with somber songs of resignation.  Opening the filmed Opus is a pre-movie live 30 minute set of distinctly different pop songs, amounting to a highly unusual night of music assault.  Brace yourself for the blood of Christ!  Afterwards, join cast, crew & director for a Q&A

WED 4/12
Patrick McGuinn’s Desert Rock Opera Valpurnis:SATurAN and live POP music!

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(Patrick McGuinn in person)
Valpurnis: SatURan (2017, 60 min. Color) Bellowing from the mind of creator Christ Opherstein, this surreal Desert Rock Opera (filmed in Tucson) hurls its politics and religion in your face along with the acid anger of those disenfranchised by society. Judas has sold Jesus to the Romans, and during the Last Supper, reflections of identity, guilt, entitlement and outrage, Judas’ ten songs take the audience hostage for a bumpy, blindfolded ride in the back of an open jeep. Gentle Jesus in various manifestations counters the rage with somber songs of resignation. Opening the filmed Opus is a pre-movie live 30 minute set of distinctly different pop songs, amounting to a highly unusual night of music assault. Brace yourself for the blood of Christ! Afterwards, join cast, crew & director for a Q&A

Valerie Kuehne & the Wasps Nests // Vicki Brown // Algae&Tentacles

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Valerie Kuehne & the Wasps Nests // Vicki Brown // Algae&Tentacles

Valerie Kuehne and the Wasps Nests is a band based in New York and Pittsburgh. Valerie leads the group on vocals and cello, Jeffrey Young plays violin, and Alex Cohen plays drums. In performance, they mix grindcore, cabaret, performance art, punk, and neoclassical art song, with a dash of free improvisation. Lucid Culture said that Valerie Kuehne is “part punk classical cellist, part performance artist, but her performance art isn’t the foofy, mannered kind – it’s oldschool 80s style and it has fangs. And it’s hilarious.” Shakefist Magazine called her “a fearless cello master with a relentlessly creative soul.” Her work in this project and others operates under principles of surprise and investigates obsession, comedy, decay, forensic pathology, sex, hypnogogia, viscera, spirituality, and death. She is an advocate for mental illness and addiction, incessantly seeking new ways to break down stigmas and misconceptions about both.

Violinist Vicki Brown explores the intimate liminal spaces between the light and dark, the seen and unseen, the known and unknown. She often describes her music as ‘elemental psychosonic landscapes,’ drawing on her curiosity of what it means to see 63 shades of green through the eyes of an orangutan, what the underside of a bird’s wing sounds like in flight, the drag and push of water as an iceberg makes its passage. Relying on her multiple loop pedals and improvisational approach, she capitalizes on repetition and unbeknownst moments that become integral to the music-making experience. She has toured the US and Europe and collaborates with dancers, film makers, painters, poets and bands.

Algae & Tentacles is a sound project based in Tucson, AZ. John Melillo and different collaborators construct sound-noises through singing, guitar-ing, keyboarding, looping, and other bodily and electronic means.

Friday 1/27
Valerie Kuehne & the Wasps Nests / Vicki Brown / Algae&Tentacles

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Valerie Kuehne and the Wasps Nests is a band based in New York and Pittsburgh. Valerie leads the group on vocals and cello, Jeffrey Young plays violin, and Alex Cohen plays drums. In performance, they mix grindcore, cabaret, performance art, punk, and neoclassical art song, with a dash of free improvisation. Lucid Culture said that Valerie Kuehne is “part punk classical cellist, part performance artist, but her performance art isn’t the foofy, mannered kind – it’s old school 80s style and it has fangs. And it’s hilarious.” Shakefist Magazine called her “a fearless cello master with a relentlessly creative soul.” Her work in this project and others operates under principles of surprise and investigates obsession, comedy, decay, forensic pathology, sex, hypnogogia, viscera, spirituality, and death.

WED 11/9
TONY CONRAD TRIBUTE!
Tony Conrad: Completely in the Present + Weyant’s TONY BECOMES A BUDDHA

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Since the early 1960s, Tony Conrad’s films and compositions have been the stuff of legend. His development and practice of Just Intonation and Minimalism through his work with Stockhausen and La Monte Young and his pivotal role in the formation of The Velvet Underground has been incredibly influential.  Tony Conrad: Completely in the Present by Tyler Hubby examines the pioneering life and works of this amazing artist, musician, activist and educator.   Opening the show will be Glenn Weyant conducting “TONY BECOMES A BUDDHA”.  Weyant’s original score is built upon sound ideas and philosophical ruminations put forth by Tony Conrad for an orchestra of amplified bowed guitars, cellos, violins, violas . These include but are not limited to: just intonation, 60-cycle amplifier ground hum tuning, improvisation, drone, noise, piezo amplification, harmonics and slavish Pythagorean demagoguery deconstruction. Orchestra is: Glenn Weyant, Samantha Bounkeua, Robert Villa, Sophie Gibson-Rush, Adam Cooper-Terán, Nik Rayne, Grant Beyschau, Connor Gallaher, Richard Young, John Melillo, Miguel Urbina, Jake Sorgen and Vicki Brown!!

MAD SONIC SCIENTISTS!: Tim Kaiser + Igloo Martian + Skincage + Fawn Bones

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An evening of electro-acoustic innovations featuring Minnesota’s mad genius Tim Kaiser!  Kaiser is a sonic inventor exerting prowess over his hand-crafted instruments. A rig of Frankenstein objects creates a wall of sound, reacting to light, the flip of a switch, a shifted knob or the plucking of a steel rod. Growing out of this array are audible undulations, sheets of reverb and unknown timbre– all mutable, amorphous and evolving. Kaiser’s tableau of instruments resemble a scientific laboratory, a steampunk console, entertaining our imagination and questioning our definition of music. Joining Kaiser are Fawn Bones, Skincage and Igloo Martian!!

FRI 5/20
Årabrot (Norway) & Chronovorus & Eric Schlappi

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8pm, all ages, $10

Norwegian noise – rock pioneers Årabrot are just coming back to the US and Exploded View in May!! After a killer show last year at EV, they are touring in support of their new release The Gospel . The new album The Gospel was recorded partly with Steve Albini at Electrical Audio and partly in an old church in the woods of Dalarna, Sweden. Ted ParsonsStephen O’malley and Erlend Hjelvik (Kvelertak) are some of the musicians contributing on this album along with noise-lord Lasse Marhaug and Andrew Liles (Currant 93/Nurse With Wound) who’s occasionally played live with the band. Local Black Metal mavens Chronovorus will support this ear/mind altering event.

WED 3/9
ORNETTE COLEMAN TRIBUTE: Shirley Clarke’s Ornette: Made in America

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Ornette: Made in America captures Ornette Coleman’s evolution over three decades. Returning home to Fort Worth, Texas, in 1983 as a famed performer and composer, documentary footage, dramatic scenes and some of the first music video-style segments ever made chronicle his boyhood in segregated Texas and his subsequent emergence as an American cultural pioneer and world-class icon. Among those who contribute to the film include William Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez and John Rockwell. The film focuses on the struggles and triumphs of Ornette Coleman’s life as well as on the inspired intelligence that spawned his creativity and ensured his success. Experimental pioneer, Shirley Clarke’s film explores the rhythms, images and myths of America seen through they eyes of an artist’s ever-expanding imagination and experience.

FALL OF THE HOUSE OF USHER TIMES FOUR!!! (Live Sound / Silent Cinema)

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Tonight in conjunction with Tucson’s Big Read Connects, EV presents the most avant-garde interpretation of an Edgar Allen Poe’s tale, The Fall of the House of Usher. Made in Los Angeles in 1928 by James Watson & Melville Webber this B&W American expressionist horror masterpiece will be scored four times by 4 amazing Tucson musicians/bands. Featuring sound & text from Algae & Tentacles, Lousie LeHir + Annie Dolan, Carbon Canyon, and Robert Villa. Come for the love of Poe, music and musical experimentation!

WED 2/24
FALL OF THE HOUSE OF USHER (times) FOUR!!! (Live Sound / Silent Cinema)

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Tonight in conjunction with Tucson’s Big Read Connects, EV presents the most avant-garde film interpretation of an Edgar Allen Poe’s tale, The Fall of the House of Usher. Made in Los Angeles in 1928 by James Watson & Melville Webber this rarely screened black & white American expressionist horror masterpiece will be scored four times by 4 amazing Tucson musicians/bands. Featuring sound & text from Algae & Tentacles, Lousie LeHir + Annie Dolan, Carbon Canyon, and Robert Villa. Come for the love of Poe, music and musical experimentation!