Sat 10/21
Paul Metzger / John Saint Pelvyn / SKINCAGE / & filmmaker Steven Matheson!

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• Paul Metzger
A virtuoso on a 23 string banjo he built himself, Metzger’s Idiosyncratic & deeply original long form improvisations at times bring to mind American primitive guitar, the sarod of Hindustani music, or the Chinese Erhu. But refracted through his singular musical mind he creates a sonic universe all his own. Metzger’s “home made” aesthetic puts him alongside DIY mavericks like Eugene Chadbourne and his electric rake, and Charlie Nothing and his dingulators, but Metzger also posses a penchant to extract every possible sound out of an instrument that is reminiscent of the exhaustive instrumental explorations of Derek Baily. His many releases over the years have garnered high praise and helped establish him as a central voice in the world of Avant-Garde & Experimental Folk. Metzger creates a unique music evocative of some magical forgotten age, but simultaneously one deeply rooted in the eternal present when fingers touch strings.“…Metzger’s banjo and guitar contain multitudes. Suspended between past and future, honouring the tradition while hijacking it, listening for its voice while revelling in its inarticulacies; this is how the thing sings. And the song, in the obsessive extensions of Metzger’s instruments, truly has no ending.” – The Wirehttps://www.youtube.com/watch?v=tQAPrbDY0qshttps://www.youtube.com/watch?v=wa0Z9z6SsSkhttps://paulmetzger.net/

• John Saint Pelvyn
Guitarist, therminist, singer, and player of some species of dismantled electrified folk, John Saint Pelvyn is on tour this fall with his new solo release A Clerical Error in Shasta County Shouldn’t have to Ruin a Saturday Night from Seeland/Electro Motive Records. An affinity for the likes of John Fahey, Loren Mazzacane-Connors, and Sandy Bull can be heard here, but the comparisons quickly fall away as one takes in this ambidextrous musical sensibility. He will sing otherworldly vocal duets with his theremin while simultaneously accompanying himself fingerpicking, or will throw modulated feedback tones across otherwise inviting harmonic landscapes based on blues & folk motifs, overshadowing them with clouds of squelch that loom like an approaching post-noise squall, but that ultimately swell and punctuate more like the tone clusters of Henry Cowell or the lyrical saxophone of Frank Lowe.

“When wandering the stage singing into the F-holes of his electric arch top bringing forth arpeggios of feedback, or waving the neck of his guitar in the vicinity of a howling theremin, indeed, he seems to be playing the very air itself.” – Electro Motive

https://midheaven.com/item/a-clerical-error-in-shasta-county-shouldnt-have-to-ruin-a-saturday-night-by-saintpelvyn-john

https://www.youtube.com/watch?v=cNN8Wkk5WPA

https://vimeo.com/174954482

• SKINCAGE

Tucson’s own! Skincage is a one-man noise/ambient/looping project in studio and live incarnations. Recordings are typically the result of meticulous studio work but when I play live I explore the moment with whatever hardware and chance materials I can use.
• Steven Matheson
Steven Matheson is a filmaker working at the borders of both documentary and fictional narrative forms, exploring the ways that the “everyday” can be re-framed and opened up as terrain for fictional re-invention, aesthetic experimentation and social criticism. His film work has been exhibited extensively internationally, at such venues as the Los Angeles Museum of Contemporary Art, the ICA in London, and Amsterdam’s World Wide Video Festival.
• Apple Grown in Wind Tunnel
This absurdist, microscopic film noir follows the activities of an underground network of ill people, desperate to create alternative methods of self-care in a world where natural resources are disappearing. While examining the meaning of health, disease, and well-being in the post-industrial world, Apple Grown In Wind Tunnel imagines the development of a culture at the margins, linked by illicit radio broadcasts, toxic waste sites, the highway, and ultimately by the overwhelming desire to find a cure.

“To the immune system in the 21st Century, here’s a sublime video elegy: a tale of illness, and grass-roots conjuring against the contemporary malaise. This riveting toxic-road-movie seeps and slouches forward in search of a cure.” – Craig Baldwin

– Best Narrative Film, 42nd Ann Arbor Film Festival
– Golden Gate Award for New Visions, San Francisco International Film Festival
– Jurors’ Choice Award (First Prize), Black Maria Film and Video Festival
– First Prize, Videoex Experimental Film & Video Festival, Zürich
– One Eye Award, Stuttgarter Filmwinter–Festival for Expanded Media

http://mfj-online.org/journalPages/MFJ45/Supanickpage.html

2001, Video, 26 mins

TUESDAY 10/10
Karima Walker / Julia Lucille / Sun Riah / Moses Nesh

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This is one for the books. Four of the South/Southwest’s leading folksingers combine for one magical night at Exploded View in Tucson–
Karima Walker
“Able to convey things normal songs cannot, a freedom not just born of trope-avoiding experimentalism but somehow inherent in the very combinations of sounds, as though arranged into secret patterns or codes, magic spells that trump postmodern convictions.”– Wake the Deaf
https://orindalrecords.bandcamp.com/album/hands-in-our-names

Julia Lucille
“smoldering, vulnerable dream-folk” and “one of the most beautiful and haunting records you’re going to hear all year” –Gorilla vs. Bear.
https://keeledscales.bandcamp.com/album/chthonic

sun riah
“A spellbinding and crushingly personal ode to people and places and the weight we carry with us from living in and around such things.”– GoldFlakePaint
https://keeledscales.bandcamp.com/album/sitting-with-sounds-and-listening-for-ghosts

Moses Nesh
“Nesh’s vocals blur in and out of focus through his quirky slurred delivery. The effect is strangely mesmerising and equally warm, like a distant relation to those pre-war blues and old-time singers, an influence that can be clearly heard throughout No Labor-Saving Machine.”– Folk Radio UK
https://keeledscales.bandcamp.com/album/no-labor-saving-machine

$7
doors @ 7pm
music @ 8pm sharp (will end by 11pm)

WED 4/5
TUCSON NOISE SYMPOSIUM: 8 (bits) of harsh + NOT BREATHING

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A mashup night of harsh noise and primitive 8 bit (utopian) video games! Hacking into the evening is Tucson’s twisted techno treasure Matt Rios navigating hardware game glitches. The feature act is an epic re-appropriation of 1984’s Kings Quest videogame through the sonic noise of Eric Schlappi, Anthony Sanchez, David Sherman and the all-consuming noise progenitor magus NOT BREATHING (David Wright) and visuals by Falcotronik!!

WED 2/15
 DOUBLE INVOCATION OF SODOM!!  Pasolini’s  Salo, 120 Days in Sodom w/ live sound by Jasper Avery + Luther Price’s Sodom

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It’s been called nauseating, shocking, depraved, pornographic . . . it’s also a masterpiece! Tucson electronic muse Sunfucked accompanies the Pier Paolo Pasolini’s final film, Salò. Set in 1944 Fascist Italy, this transposition of the Marquis de Sade’s eighteenth-century opus of torture and degradation in 1944’s fascist Italy remains one of the most passionately debated films of all time, a thought-provoking inquiry into the political, social, and sexual dynamics that define the world we live in. Opening the show is Luther Price’s 15 minute Super-8 masterpiece Sodom (1989), a brutal assemblage of gay porn footage, dumpster dived from behind buildings in Boston’s Combat Zone. Not only does Price mash up scenes of hardcore sex with footage from biblical films and shots of flames, he also punches holes in the film strip, taping shots of heads or penises back into them and drawing more attention to the surface, the materiality of the film itself. As film critic J. Hoberman put it succinctlySodom “could be the illumination of Jerry Falwell’s unconscious.”

Friday 1/27
Valerie Kuehne & the Wasps Nests / Vicki Brown / Algae&Tentacles

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Valerie Kuehne and the Wasps Nests is a band based in New York and Pittsburgh. Valerie leads the group on vocals and cello, Jeffrey Young plays violin, and Alex Cohen plays drums. In performance, they mix grindcore, cabaret, performance art, punk, and neoclassical art song, with a dash of free improvisation. Lucid Culture said that Valerie Kuehne is “part punk classical cellist, part performance artist, but her performance art isn’t the foofy, mannered kind – it’s old school 80s style and it has fangs. And it’s hilarious.” Shakefist Magazine called her “a fearless cello master with a relentlessly creative soul.” Her work in this project and others operates under principles of surprise and investigates obsession, comedy, decay, forensic pathology, sex, hypnogogia, viscera, spirituality, and death.

Tues 1/17
Ralph White (TX)/ Papa C Nathan & Buddy Tom K/ Skincage/ Al Perry (oud) & Roman Barten-Sherman (guitar)

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A pre-season treat from Exploded View to YOU with a night of Folk Experimental, Psychedelic and Outsider Electronic music!!

Are you familiar with Ralph’s music? Ralph was in a cow-punk band in Austin in the 1990s called The Bad Livers and now plays solo music that’s equally influenced by Appalachia and West African folksongs. He switches effortlessly between banjo, kalimba, fiddle, and accordion and his songs have an earthy psychedelic quality to them.

He’s played with Michael Hurley, Jandek, and Thurston Moore.

You can stream his most recent album with Thor Harris (of Swans) here:
https://soundcloud.com/self-sabotage-records/sets/ralph-white-thor-harris-tossing-pebbles-on-the-sleeping-beast/s-7w1hh

This is a short documentary about Ralph from a few years ago:
https://www.youtube.com/watch?v=xp5xyRMR8fg

SAT 12/3
 (7-9 PM)
CHERRY ART EDITIONS Release Party

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Cherry Art Editions release party featuring a limited postcard and CD set and performance by legendary local artist and musician Al Perry, memory card game limited editions by Servane Mary of New York City and Nina Ott of Milwaukee, and a book of writings by Bryan Price, of Los Angeles. Elizabeth Cherry is a known cult figure in the Tucson art scene. Her past credits include Elizabeth Cherry Gallery, where she featured world-renowned conceptual artists.

WED 11/9
TONY CONRAD TRIBUTE!
Tony Conrad: Completely in the Present + Weyant’s TONY BECOMES A BUDDHA

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Since the early 1960s, Tony Conrad’s films and compositions have been the stuff of legend. His development and practice of Just Intonation and Minimalism through his work with Stockhausen and La Monte Young and his pivotal role in the formation of The Velvet Underground has been incredibly influential.  Tony Conrad: Completely in the Present by Tyler Hubby examines the pioneering life and works of this amazing artist, musician, activist and educator.   Opening the show will be Glenn Weyant conducting “TONY BECOMES A BUDDHA”.  Weyant’s original score is built upon sound ideas and philosophical ruminations put forth by Tony Conrad for an orchestra of amplified bowed guitars, cellos, violins, violas . These include but are not limited to: just intonation, 60-cycle amplifier ground hum tuning, improvisation, drone, noise, piezo amplification, harmonics and slavish Pythagorean demagoguery deconstruction. Orchestra is: Glenn Weyant, Samantha Bounkeua, Robert Villa, Sophie Gibson-Rush, Adam Cooper-Terán, Nik Rayne, Grant Beyschau, Connor Gallaher, Richard Young, John Melillo, Miguel Urbina, Jake Sorgen and Vicki Brown!!

SUN 10/30
MAD SONIC SCIENTISTS!: Tim Kaiser + Igloo Martian + Skincage + Fawn Bones

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An evening of electro-acoustic innovations featuring Minnesota’s mad genius Tim Kaiser!  Kaiser is a sonic inventor exerting prowess over his hand-crafted instruments. A rig of Frankenstein objects creates a wall of sound, reacting to light, the flip of a switch, a shifted knob or the plucking of a steel rod. Growing out of this array are audible undulations, sheets of reverb and unknown timbre– all mutable, amorphous and evolving. Kaiser’s tableau of instruments resemble a scientific laboratory, a steampunk console, entertaining our imagination and questioning our definition of music. Joining Kaiser are Fawn Bones, Skincage and Igloo Martian!!

Wed 10/5
LIVE SOUND//SILENT FILM – The Ådventures of Prince Åchmed with live score conducted by Scott Kerr

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The oldest surviving animated feature film and based upon based on the ancient stories “The Arabian Nights.”The Ådventures of Prince Åchmed is a 1926 German animated fairytale feature film by Lotte Reiniger. A handsome prince with a flying horse befriends a witch, meets Aladdin, and battles demons to win a princess. The film features a silhouette animation technique Reiniger had invented; the technique she used for the camera is similar to Wayang shadow puppets, though hers were animated frame by frame, not manipulated in live action.Micheal Henderson, Margaret McClelland, Stefanos Kokranis, Jillian LaCrux, and Kyle Bert join Scott Kerr in accompanying this marvelous film!