Jim Colby’s SAXORCISM
sound installation
Thursday 4/26, 12-7pm

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Saxorcism is a 4-channel reactive sound installation by Tucson-based artist Jim Colby. Every sound the audience experiences originates from a recording of a saxophone. The installation resides at the tangled nodes of composition, sculpture, collective improvisation, and synthetic field recordings.

The showing will conclude with an electronic music performance by Jim Colby of compositions made with saxophone samples, alongside performances by John Niekrasz, Patrick Cain, and Born2Death as part of the Tucson Noise Symposium. More information about the performance here: https://www.facebook.com/events/2121091278112278/

Saxorcism has been made possible by a 2017 Research and Development Grant from the Arizona Commission of the Arts.

When a sound is cast out from it’s physical origin, what does it become?

FREE!!

Thursday 4/26
Tucson Noise Symposium
Jim Colby, John Niekrasz, Born2Death, Pat Cain

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Tucson-based sound artist Jim Colby will be debuting Saxorcism, a sound installation/composition/performance created entirely from digitally mangled audio of the beguiling reed instrument known as the saxophone. The installation component will be on view inside Exploded View from noon until the start of the evening’s musical performances.

massive empathic improvisations by John Niekrasz (percussion)!

withering noise bliss from Born2Death!

synthetic beat genius from Pat Cain!

7 doors, 7.30 music, $6 FUN

Wednesday 2/ 28
Noise nght: Nktn / Wthrs / Bd / n Dz Scc / Mdlr Blgq / lg tntcls

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A night of improvisation, loops, noise, noise-music, sounds, and more. This is the first pre-symposium symposium show for the upcoming Tucson Noise Symposium (last week of April, 2018).

We have performers traveling through and performers performing in Tucson for the first time! ! ! This will rule! !

Line-Up:
Tatsuya Nakatani (New Mexico) – percussive improvisational unhingedness
Andrew Weaters (West Texas) – guitars whirling around, voice in the vortex
CJ Boyd (permanent tour) – bass. loops. magic.
Ana Diaz Sacco – songs, keyboards, thrash [first Tucson show!]
Modular Biologique – synthesis : analysis :: construction : destruction [first Tucson show!]
Algae & Tentacles – what it sounds like

Sunday 2/11
Transforming Agave premier with special musical guests!

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Exploded View presents the premier of local filmmaker Bryan Nelson’s short film Transforming Agave on Sunday February 11. The film runs 6 1/2 minutes long; the filmmaker Bryan, it’s subject Kyle Bert, and soundtrack composer Ryan Chavira will all be on hand to play music and talk about the film, as well as locals Blue Stained Stems. It was all filmed in the Tucson area, and is a 100% local production.

Synopsis: local musician and crafter Kyle Bert finds serenity and self-acceptance while crafting unique didgeridoos out of agave flowers that he harvests in southern Arizona.

Director’s statement:Transforming Agave is a film about more than just the art of crafting an idiosyncratic musical instrument. It’s about how the interwoven elements that go into making art are what imbue it with meaning. Kyle’s agave didgeridoos are embedded to place, to community, and to his own psychological well being in a way that reminds us of the value of deep contextual connection.

The music: Kyle Bert and Ryan Chavira infuse the natural rhythms and harmonics of an ancient world inspired by the didgeridoo (Kyle), along with the Sci-fi soundscapes of analog synthesis (Ryan), oscillating meditative patterns into a cohesive singularity best described as otherworldly.

Blue Stained Stems (incarnation 2) feeds off an interplay between Brazilian drummer Mario Iochpe and local Tucsonian Michael Henderson to arrive at ever-expanding sonic crossroads that mix samba, afrobeat, jazz, maqam, punk and rock n’ roll into a free form trance. With a playful aversion to order, yet a mindful adherence to a much necessary flow state, the band strives to perform an incrementally changing repertoire. From an immersive musical dialogue, Blue Stained Stems finds shape through guitars, oud, bassoud, and a 4-piece drum

Thursday 1/18
Jon Jost & Ralph White: American Transcendence!

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A night of transcendental American experimentalism in music and film! Ev fave Ralph White (from Austin’s BAD LIVERS on banjo/fiddle/guitar/voice) will start the evening with his sonic visions! The second bill of the evening will be a rare screening of experimental works by the renowned maverick independent filmmaker Jon Jost! Jon will be in-person and presenting a selections of his visual essays and abstract videos that focus on landscape, character and “what it means to be alive”.
Come support his last American cine tour!!
 
https://www.ralphewhite.com/
http://www.jonjost.altervista.org/

Sat 10/21
Paul Metzger / John Saint Pelvyn / SKINCAGE / & filmmaker Steven Matheson!

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• Paul Metzger
A virtuoso on a 23 string banjo he built himself, Metzger’s Idiosyncratic & deeply original long form improvisations at times bring to mind American primitive guitar, the sarod of Hindustani music, or the Chinese Erhu. But refracted through his singular musical mind he creates a sonic universe all his own. Metzger’s “home made” aesthetic puts him alongside DIY mavericks like Eugene Chadbourne and his electric rake, and Charlie Nothing and his dingulators, but Metzger also posses a penchant to extract every possible sound out of an instrument that is reminiscent of the exhaustive instrumental explorations of Derek Baily. His many releases over the years have garnered high praise and helped establish him as a central voice in the world of Avant-Garde & Experimental Folk. Metzger creates a unique music evocative of some magical forgotten age, but simultaneously one deeply rooted in the eternal present when fingers touch strings.“…Metzger’s banjo and guitar contain multitudes. Suspended between past and future, honouring the tradition while hijacking it, listening for its voice while revelling in its inarticulacies; this is how the thing sings. And the song, in the obsessive extensions of Metzger’s instruments, truly has no ending.” – The Wirehttps://www.youtube.com/watch?v=tQAPrbDY0qshttps://www.youtube.com/watch?v=wa0Z9z6SsSkhttps://paulmetzger.net/

• John Saint Pelvyn
Guitarist, therminist, singer, and player of some species of dismantled electrified folk, John Saint Pelvyn is on tour this fall with his new solo release A Clerical Error in Shasta County Shouldn’t have to Ruin a Saturday Night from Seeland/Electro Motive Records. An affinity for the likes of John Fahey, Loren Mazzacane-Connors, and Sandy Bull can be heard here, but the comparisons quickly fall away as one takes in this ambidextrous musical sensibility. He will sing otherworldly vocal duets with his theremin while simultaneously accompanying himself fingerpicking, or will throw modulated feedback tones across otherwise inviting harmonic landscapes based on blues & folk motifs, overshadowing them with clouds of squelch that loom like an approaching post-noise squall, but that ultimately swell and punctuate more like the tone clusters of Henry Cowell or the lyrical saxophone of Frank Lowe.

“When wandering the stage singing into the F-holes of his electric arch top bringing forth arpeggios of feedback, or waving the neck of his guitar in the vicinity of a howling theremin, indeed, he seems to be playing the very air itself.” – Electro Motive

https://midheaven.com/item/a-clerical-error-in-shasta-county-shouldnt-have-to-ruin-a-saturday-night-by-saintpelvyn-john

https://www.youtube.com/watch?v=cNN8Wkk5WPA

https://vimeo.com/174954482

• SKINCAGE

Tucson’s own! Skincage is a one-man noise/ambient/looping project in studio and live incarnations. Recordings are typically the result of meticulous studio work but when I play live I explore the moment with whatever hardware and chance materials I can use.
• Steven Matheson
Steven Matheson is a filmaker working at the borders of both documentary and fictional narrative forms, exploring the ways that the “everyday” can be re-framed and opened up as terrain for fictional re-invention, aesthetic experimentation and social criticism. His film work has been exhibited extensively internationally, at such venues as the Los Angeles Museum of Contemporary Art, the ICA in London, and Amsterdam’s World Wide Video Festival.
• Apple Grown in Wind Tunnel
This absurdist, microscopic film noir follows the activities of an underground network of ill people, desperate to create alternative methods of self-care in a world where natural resources are disappearing. While examining the meaning of health, disease, and well-being in the post-industrial world, Apple Grown In Wind Tunnel imagines the development of a culture at the margins, linked by illicit radio broadcasts, toxic waste sites, the highway, and ultimately by the overwhelming desire to find a cure.

“To the immune system in the 21st Century, here’s a sublime video elegy: a tale of illness, and grass-roots conjuring against the contemporary malaise. This riveting toxic-road-movie seeps and slouches forward in search of a cure.” – Craig Baldwin

– Best Narrative Film, 42nd Ann Arbor Film Festival
– Golden Gate Award for New Visions, San Francisco International Film Festival
– Jurors’ Choice Award (First Prize), Black Maria Film and Video Festival
– First Prize, Videoex Experimental Film & Video Festival, Zürich
– One Eye Award, Stuttgarter Filmwinter–Festival for Expanded Media

http://mfj-online.org/journalPages/MFJ45/Supanickpage.html

2001, Video, 26 mins

TUESDAY 10/10
Karima Walker / Julia Lucille / Sun Riah / Moses Nesh

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This is one for the books. Four of the South/Southwest’s leading folksingers combine for one magical night at Exploded View in Tucson–
Karima Walker
“Able to convey things normal songs cannot, a freedom not just born of trope-avoiding experimentalism but somehow inherent in the very combinations of sounds, as though arranged into secret patterns or codes, magic spells that trump postmodern convictions.”– Wake the Deaf
https://orindalrecords.bandcamp.com/album/hands-in-our-names

Julia Lucille
“smoldering, vulnerable dream-folk” and “one of the most beautiful and haunting records you’re going to hear all year” –Gorilla vs. Bear.
https://keeledscales.bandcamp.com/album/chthonic

sun riah
“A spellbinding and crushingly personal ode to people and places and the weight we carry with us from living in and around such things.”– GoldFlakePaint
https://keeledscales.bandcamp.com/album/sitting-with-sounds-and-listening-for-ghosts

Moses Nesh
“Nesh’s vocals blur in and out of focus through his quirky slurred delivery. The effect is strangely mesmerising and equally warm, like a distant relation to those pre-war blues and old-time singers, an influence that can be clearly heard throughout No Labor-Saving Machine.”– Folk Radio UK
https://keeledscales.bandcamp.com/album/no-labor-saving-machine

$7
doors @ 7pm
music @ 8pm sharp (will end by 11pm)

WED 4/5
TUCSON NOISE SYMPOSIUM: 8 (bits) of harsh + NOT BREATHING

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A mashup night of harsh noise and primitive 8 bit (utopian) video games! Hacking into the evening is Tucson’s twisted techno treasure Matt Rios navigating hardware game glitches. The feature act is an epic re-appropriation of 1984’s Kings Quest videogame through the sonic noise of Eric Schlappi, Anthony Sanchez, David Sherman and the all-consuming noise progenitor magus NOT BREATHING (David Wright) and visuals by Falcotronik!!

WED 2/15
 DOUBLE INVOCATION OF SODOM!!  Pasolini’s  Salo, 120 Days in Sodom w/ live sound by Jasper Avery + Luther Price’s Sodom

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It’s been called nauseating, shocking, depraved, pornographic . . . it’s also a masterpiece! Tucson electronic muse Sunfucked accompanies the Pier Paolo Pasolini’s final film, Salò. Set in 1944 Fascist Italy, this transposition of the Marquis de Sade’s eighteenth-century opus of torture and degradation in 1944’s fascist Italy remains one of the most passionately debated films of all time, a thought-provoking inquiry into the political, social, and sexual dynamics that define the world we live in. Opening the show is Luther Price’s 15 minute Super-8 masterpiece Sodom (1989), a brutal assemblage of gay porn footage, dumpster dived from behind buildings in Boston’s Combat Zone. Not only does Price mash up scenes of hardcore sex with footage from biblical films and shots of flames, he also punches holes in the film strip, taping shots of heads or penises back into them and drawing more attention to the surface, the materiality of the film itself. As film critic J. Hoberman put it succinctlySodom “could be the illumination of Jerry Falwell’s unconscious.”

Friday 1/27
Valerie Kuehne & the Wasps Nests / Vicki Brown / Algae&Tentacles

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Valerie Kuehne and the Wasps Nests is a band based in New York and Pittsburgh. Valerie leads the group on vocals and cello, Jeffrey Young plays violin, and Alex Cohen plays drums. In performance, they mix grindcore, cabaret, performance art, punk, and neoclassical art song, with a dash of free improvisation. Lucid Culture said that Valerie Kuehne is “part punk classical cellist, part performance artist, but her performance art isn’t the foofy, mannered kind – it’s old school 80s style and it has fangs. And it’s hilarious.” Shakefist Magazine called her “a fearless cello master with a relentlessly creative soul.” Her work in this project and others operates under principles of surprise and investigates obsession, comedy, decay, forensic pathology, sex, hypnogogia, viscera, spirituality, and death.