Tuesday 10/18 
 POWER & PROTEST: Brian Mock’s RNC/DNC Slap Down + Deep State


NOTE NEW DATE –  day before the last Presidential debate!!

(Brian Mock in person)    

Pre-election provocateur, educator & outsider ethnologist Brian Mock presents a startling selection of narrated behind-the-scenes video from both the RNC and DNC! The second part of this evening features the post-Occupy sci-fi essay Deep State by UK artists Karen Mirza and Brad Butler The film takes its title from the Turkish term Derin Devlet, meaning ‘state within the state’. This shadowy nexus of special interests and covert relationships is the place where real power is said to reside, and where fundamental decisions are made – decisions that often run counter to the outward impression of democracy.

WED 10/12
 DIGITAL ALCHEMY: Works by Gregg Biermann & Axel Roessler

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(Artists in Person)

The New Jersey based digital filmmaker Gregg Biermann presents a range of his exquisitely re-mixed takes on cinema. Writes, Larry Gottheim, “In this work Gregg Biermann has taken head-on some of the supreme moments of classical cinema and subjected them to a dazzling transformation in the digital domain. The results are exhilarating, surprising tours de force. They also have a zany quality that shows the artist to have a witty imagination. He is a prober into the hidden corners of cinema, and a master of computer-based wizardry.” The show opens with a screening of Frankfurt media artist (and recent Tucson transplant) Axel Roessler’s videos that engage cultural critique through computer modeling and manipulation!

Wed 10/5
LIVE SOUND//SILENT FILM – The Ådventures of Prince Åchmed with live score conducted by Scott Kerr

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The oldest surviving animated feature film and based upon based on the ancient stories “The Arabian Nights.”The Ådventures of Prince Åchmed is a 1926 German animated fairytale feature film by Lotte Reiniger. A handsome prince with a flying horse befriends a witch, meets Aladdin, and battles demons to win a princess. The film features a silhouette animation technique Reiniger had invented; the technique she used for the camera is similar to Wayang shadow puppets, though hers were animated frame by frame, not manipulated in live action.Micheal Henderson, Margaret McClelland, Stefanos Kokranis, Jillian LaCrux, and Kyle Bert join Scott Kerr in accompanying this marvelous film!

Tues 10/4
Bill Daniel presents Chip Lord’s Motorist -outdoor projection !


MOTORIST w/ Bill Daniel & mythic orange 65′ van in person!

(Special outdoor screening at EV OASIS 1333 N. 4th Ave -enter on Drachman)

Event by donation, Swimming & BYBO!!!

A 1989 video by Chip Lord which follows the driver of a 1962 Thunderbird as he crosses the Southwest to deliver the classic car to be sold in Los Angeles to a Japanese collector. The video is an travelogue/essay on the automobile as the symbol and vehicle of American freedom and identity.

Echoing this trip in 2016 is artist Bill Daniel as he drives his classic 1965 Chevy Van from Houston to sell in Los Angeles. Along Daniel’s trip west, following the route of Lord’s driver/protagonist, the 1965 van will be used as an outdoor projection site for screenings of MOTORIST.

Daniel has owed and driven the 1965 Chevy on multiple cross country exhibition tours since 1992. The van has variously functioned as a mobile installation piece, a graffiti wall, a home, and an icon in much of Daniel’s art. In deciding to sell the van it was appealing to bring the van back to it’s original home in California the parallel between this trip and the narrative in Chip Lord’s video MOTORIST came to mind, and it became apparent that this last trip in the Orange Van would need to be an exhibition tour as well. MOTORIST will be projected from/onto Daniel’s van a various outdoor sites between Houston and Los Angeles, in San Antonio, Marfa, Albuquerque, Tucson, Slab City, and other spots as yet unknown…

Since his early days in Ant Farm, Lord’s evocation of the automobile has been the car as avatar, as the spirit of America—that consummate combination of superior organized corporate technology and the pioneering triumph of the willful individual driver. Motorist is a 69-minute road picture in which the camera rides shotgun with TV actor Richard Marcus as he plays a drifting driver. Intercutting scenes of Marcus with clips of industrial films and commercials of the 1940s, ‘50s, and ‘60s,Motorist pinpoints the patriotic heroics and futuristic fantasies of Ford and General Motors, unleashing the pure romanticism of American automophilia at its most ecstatic heights.

WED 9/28

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(Barbara Hammer in person) $10, $6 with U of A id

We are thrilled to host Barbara Hammer who is perhaps the greatest and most prolific living “first generation” lesbian experimental filmmaker. Uncompromising and innovative,  a visual artist working primarily in film and video, Barbara Hammer has made over 80 moving image works in a career that spans 40 years. Tonight we will screen a program of Hammer’s films that sample her trailblazing political and aesthetic practice from the 1970’s to the present. Films will include Dyketactics, No No Nooky TV, Sanctus, Maya Deren’s Sink and more.

WED 9/21
RADICAL DANCES OF LIFE- Jack Walsh’s Yvonne Rainer: Feelings are Facts

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A fascinating new documentary on the life and career of Yvonne Rainer, Feelings Are Facts tells the captivating story of one of America’s most radical and important artists. In 1962, as a founding member of Judson Dance Theater, Rainer revolutionized modern dance by introducing everyday movements like walking and running into the dance lexicon. Abandoning choreography in the ‘70s, Rainer introduced narrative techniques into American avant-garde film, turning that genre on its head, too. In the film, we follow Rainer, now 81 and returned to choreography, as she continues to create vibrant, courageous, unpredictable dances that invite audiences to question basic assumptions about art and performance.

WED 9/14
Grin Without a Cat

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From young anti-war protesters in America to the death of Che Guevara and the rise of leaders like Fidel Castro and Mao Tse-Tung, this remarkably fluid 3 hour documentary examines the rise and fall of the leftist movement of the 1960s and 1970s. Rejecting textbook history, the first segment delves into the beginnings of this liberal faction, focusing on 1967, when anti-Vietnam fervor swept the USA and invigorated the political debate. In part two, the disintegration of the movement, dubbed the “new left,” is laid out. Rather than authoritative or sociological. Marker’s technique is essayistic, digressive, fleet-footed, sublime and conjunctural.

WED 9/7
SEVEN WOMEN, SEVEN SINS + Burning Palm’s What the Daisy Said



Seven brilliant and controversial women filmmakers were invited to direct for this the 1986 omnibus, Seven Women, Seven Sins: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the opportunity of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, musicals, and radical documentary. Opening the show, Burning Palms breathes haunting new life into Mary Pickford’s 1910 silent film What the Daisy Said with a live score commissioned by the Mary Pickford Foundation.

WED 8/31

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EV opens our 4th year of experimental film and music programming with a performance by San Francisco based Douglas Katelus who is touring with his films and a 1960’s Hammond A100 Organ and a Leslie speaker! He will be screening his 16mm film & slide piece Keep Film Dead along with his take on Pink Floyd’s “Atom Heart Mother”. Electric wizard Eric Schlappi will play live to PsycMAP’s music video of his epic Poseidonis. Local ambient trailblazer (& Chick Magnet founder!) LANO teams up with Gabriella Molina presenting delights of sound & light!!