Sat 10/21
Paul Metzger / John Saint Pelvyn / SKINCAGE / & filmmaker Steven Matheson!

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• Paul Metzger
A virtuoso on a 23 string banjo he built himself, Metzger’s Idiosyncratic & deeply original long form improvisations at times bring to mind American primitive guitar, the sarod of Hindustani music, or the Chinese Erhu. But refracted through his singular musical mind he creates a sonic universe all his own. Metzger’s “home made” aesthetic puts him alongside DIY mavericks like Eugene Chadbourne and his electric rake, and Charlie Nothing and his dingulators, but Metzger also posses a penchant to extract every possible sound out of an instrument that is reminiscent of the exhaustive instrumental explorations of Derek Baily. His many releases over the years have garnered high praise and helped establish him as a central voice in the world of Avant-Garde & Experimental Folk. Metzger creates a unique music evocative of some magical forgotten age, but simultaneously one deeply rooted in the eternal present when fingers touch strings.“…Metzger’s banjo and guitar contain multitudes. Suspended between past and future, honouring the tradition while hijacking it, listening for its voice while revelling in its inarticulacies; this is how the thing sings. And the song, in the obsessive extensions of Metzger’s instruments, truly has no ending.” – The Wirehttps://www.youtube.com/watch?v=tQAPrbDY0qshttps://www.youtube.com/watch?v=wa0Z9z6SsSkhttps://paulmetzger.net/

• John Saint Pelvyn
Guitarist, therminist, singer, and player of some species of dismantled electrified folk, John Saint Pelvyn is on tour this fall with his new solo release A Clerical Error in Shasta County Shouldn’t have to Ruin a Saturday Night from Seeland/Electro Motive Records. An affinity for the likes of John Fahey, Loren Mazzacane-Connors, and Sandy Bull can be heard here, but the comparisons quickly fall away as one takes in this ambidextrous musical sensibility. He will sing otherworldly vocal duets with his theremin while simultaneously accompanying himself fingerpicking, or will throw modulated feedback tones across otherwise inviting harmonic landscapes based on blues & folk motifs, overshadowing them with clouds of squelch that loom like an approaching post-noise squall, but that ultimately swell and punctuate more like the tone clusters of Henry Cowell or the lyrical saxophone of Frank Lowe.

“When wandering the stage singing into the F-holes of his electric arch top bringing forth arpeggios of feedback, or waving the neck of his guitar in the vicinity of a howling theremin, indeed, he seems to be playing the very air itself.” – Electro Motive

https://midheaven.com/item/a-clerical-error-in-shasta-county-shouldnt-have-to-ruin-a-saturday-night-by-saintpelvyn-john

https://www.youtube.com/watch?v=cNN8Wkk5WPA

https://vimeo.com/174954482

• SKINCAGE

Tucson’s own! Skincage is a one-man noise/ambient/looping project in studio and live incarnations. Recordings are typically the result of meticulous studio work but when I play live I explore the moment with whatever hardware and chance materials I can use.
• Steven Matheson
Steven Matheson is a filmaker working at the borders of both documentary and fictional narrative forms, exploring the ways that the “everyday” can be re-framed and opened up as terrain for fictional re-invention, aesthetic experimentation and social criticism. His film work has been exhibited extensively internationally, at such venues as the Los Angeles Museum of Contemporary Art, the ICA in London, and Amsterdam’s World Wide Video Festival.
• Apple Grown in Wind Tunnel
This absurdist, microscopic film noir follows the activities of an underground network of ill people, desperate to create alternative methods of self-care in a world where natural resources are disappearing. While examining the meaning of health, disease, and well-being in the post-industrial world, Apple Grown In Wind Tunnel imagines the development of a culture at the margins, linked by illicit radio broadcasts, toxic waste sites, the highway, and ultimately by the overwhelming desire to find a cure.

“To the immune system in the 21st Century, here’s a sublime video elegy: a tale of illness, and grass-roots conjuring against the contemporary malaise. This riveting toxic-road-movie seeps and slouches forward in search of a cure.” – Craig Baldwin

– Best Narrative Film, 42nd Ann Arbor Film Festival
– Golden Gate Award for New Visions, San Francisco International Film Festival
– Jurors’ Choice Award (First Prize), Black Maria Film and Video Festival
– First Prize, Videoex Experimental Film & Video Festival, Zürich
– One Eye Award, Stuttgarter Filmwinter–Festival for Expanded Media

http://mfj-online.org/journalPages/MFJ45/Supanickpage.html

2001, Video, 26 mins

WED 4/5
TUCSON NOISE SYMPOSIUM: 8 (bits) of harsh + NOT BREATHING

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A mashup night of harsh noise and primitive 8 bit (utopian) video games! Hacking into the evening is Tucson’s twisted techno treasure Matt Rios navigating hardware game glitches. The feature act is an epic re-appropriation of 1984’s Kings Quest videogame through the sonic noise of Eric Schlappi, Anthony Sanchez, David Sherman and the all-consuming noise progenitor magus NOT BREATHING (David Wright).

WED 4/5
TUCSON NOISE SYMPOSIUM: 8 (bits) of harsh + NOT BREATHING

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A mashup night of harsh noise and primitive 8 bit (utopian) video games! Hacking into the evening is Tucson’s twisted techno treasure Matt Rios navigating hardware game glitches. The feature act is an epic re-appropriation of 1984’s Kings Quest videogame through the sonic noise of Eric Schlappi, Anthony Sanchez, David Sherman and the all-consuming noise progenitor magus NOT BREATHING (David Wright) and visuals by Falcotronik!!

Valerie Kuehne & the Wasps Nests // Vicki Brown // Algae&Tentacles

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Valerie Kuehne & the Wasps Nests // Vicki Brown // Algae&Tentacles

Valerie Kuehne and the Wasps Nests is a band based in New York and Pittsburgh. Valerie leads the group on vocals and cello, Jeffrey Young plays violin, and Alex Cohen plays drums. In performance, they mix grindcore, cabaret, performance art, punk, and neoclassical art song, with a dash of free improvisation. Lucid Culture said that Valerie Kuehne is “part punk classical cellist, part performance artist, but her performance art isn’t the foofy, mannered kind – it’s oldschool 80s style and it has fangs. And it’s hilarious.” Shakefist Magazine called her “a fearless cello master with a relentlessly creative soul.” Her work in this project and others operates under principles of surprise and investigates obsession, comedy, decay, forensic pathology, sex, hypnogogia, viscera, spirituality, and death. She is an advocate for mental illness and addiction, incessantly seeking new ways to break down stigmas and misconceptions about both.

Violinist Vicki Brown explores the intimate liminal spaces between the light and dark, the seen and unseen, the known and unknown. She often describes her music as ‘elemental psychosonic landscapes,’ drawing on her curiosity of what it means to see 63 shades of green through the eyes of an orangutan, what the underside of a bird’s wing sounds like in flight, the drag and push of water as an iceberg makes its passage. Relying on her multiple loop pedals and improvisational approach, she capitalizes on repetition and unbeknownst moments that become integral to the music-making experience. She has toured the US and Europe and collaborates with dancers, film makers, painters, poets and bands.

Algae & Tentacles is a sound project based in Tucson, AZ. John Melillo and different collaborators construct sound-noises through singing, guitar-ing, keyboarding, looping, and other bodily and electronic means.

Friday 1/27
Valerie Kuehne & the Wasps Nests / Vicki Brown / Algae&Tentacles

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Valerie Kuehne and the Wasps Nests is a band based in New York and Pittsburgh. Valerie leads the group on vocals and cello, Jeffrey Young plays violin, and Alex Cohen plays drums. In performance, they mix grindcore, cabaret, performance art, punk, and neoclassical art song, with a dash of free improvisation. Lucid Culture said that Valerie Kuehne is “part punk classical cellist, part performance artist, but her performance art isn’t the foofy, mannered kind – it’s old school 80s style and it has fangs. And it’s hilarious.” Shakefist Magazine called her “a fearless cello master with a relentlessly creative soul.” Her work in this project and others operates under principles of surprise and investigates obsession, comedy, decay, forensic pathology, sex, hypnogogia, viscera, spirituality, and death.

Ralph White (Austin) /Papa C. Nathan & Buddy Tom K. /Skincage/ Al Perry (oud) & Roman Barten-Sherman (guitar)

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A pre-season treat from Exploded View to YOU with a night of Folk Experimental, Psychedelic and Outsider Electronic !!

Are you familiar with Ralph’s music? Ralph was in a cow-punk band in Austin in the 1990s called The Bad Livers and now plays solo music that’s equally influenced by Appalachia and West African folksongs. He switches effortlessly between banjo, kalimba, fiddle, and accordion and his songs have an earthy psychedelic quality to them.

He’s played with Michael Hurley, Jandek, and Thurston Moore.

You can stream his most recent album with Thor Harris (of Swans) here:
https://soundcloud.com/self-sabotage-records/sets/ralph-white-thor-harris-tossing-pebbles-on-the-sleeping-beast/s-7w1hh

This is a short documentary about Ralph from a few years ago:
https://www.youtube.com/watch?v=xp5xyRMR8fg

Tues 1/17
Ralph White (TX)/ Papa C Nathan & Buddy Tom K/ Skincage/ Al Perry (oud) & Roman Barten-Sherman (guitar)

ralph white

A pre-season treat from Exploded View to YOU with a night of Folk Experimental, Psychedelic and Outsider Electronic music!!

Are you familiar with Ralph’s music? Ralph was in a cow-punk band in Austin in the 1990s called The Bad Livers and now plays solo music that’s equally influenced by Appalachia and West African folksongs. He switches effortlessly between banjo, kalimba, fiddle, and accordion and his songs have an earthy psychedelic quality to them.

He’s played with Michael Hurley, Jandek, and Thurston Moore.

You can stream his most recent album with Thor Harris (of Swans) here:
https://soundcloud.com/self-sabotage-records/sets/ralph-white-thor-harris-tossing-pebbles-on-the-sleeping-beast/s-7w1hh

This is a short documentary about Ralph from a few years ago:
https://www.youtube.com/watch?v=xp5xyRMR8fg

MAD SONIC SCIENTISTS!: Tim Kaiser + Igloo Martian + Skincage + Fawn Bones

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An evening of electro-acoustic innovations featuring Minnesota’s mad genius Tim Kaiser!  Kaiser is a sonic inventor exerting prowess over his hand-crafted instruments. A rig of Frankenstein objects creates a wall of sound, reacting to light, the flip of a switch, a shifted knob or the plucking of a steel rod. Growing out of this array are audible undulations, sheets of reverb and unknown timbre– all mutable, amorphous and evolving. Kaiser’s tableau of instruments resemble a scientific laboratory, a steampunk console, entertaining our imagination and questioning our definition of music. Joining Kaiser are Fawn Bones, Skincage and Igloo Martian!!

FRI 5/20
Årabrot (Norway) & Chronovorus & Eric Schlappi

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8pm, all ages, $10

Norwegian noise – rock pioneers Årabrot are just coming back to the US and Exploded View in May!! After a killer show last year at EV, they are touring in support of their new release The Gospel . The new album The Gospel was recorded partly with Steve Albini at Electrical Audio and partly in an old church in the woods of Dalarna, Sweden. Ted ParsonsStephen O’malley and Erlend Hjelvik (Kvelertak) are some of the musicians contributing on this album along with noise-lord Lasse Marhaug and Andrew Liles (Currant 93/Nurse With Wound) who’s occasionally played live with the band. Local Black Metal mavens Chronovorus will support this ear/mind altering event.

WED 3/23
Jodorowsky’s The Holy Mountain w/ live music by Jeff Lownsbury & Connor Gallaher

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Just in time for un-Easter, EV presents Alejandro Jodorowsky’s phenomenal filmic tale of occult psychedelic wonders! A scandal when first released in 1973, The Holy Mountain is a dazzling visual feast of ritual and symbol, an often sublime and grotesque satire on consumerism, militarism and the exploitation of third world cultures by the West.  Augmenting the film’s original Don Cherry soundtrack this film with be re-scored live with improvisational sonic interventions from Tucson sound wizards Jeff Lownsbury & Connor Gallaher (both of The Night Collectors). Come blow your mind and raise your eyes/ears/soul to the heavens!!