Sunday Nov 18 @7pm
Elisabeth Subrin’s Shulie

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Presented by the Jewish History Museum

Come watch Elisabeth Subrin’s Shulie (1997), which remade a 1967 documentary about the art student turned feminist visionary, writer and painter, Shulamith Firestone, who wrote the 1970 manifesto, The Dialectic of Sex: The Case for Feminist Revolution.

The film screening (37 minutes) will be followed by a panel discussion with Sandra K. Soto, Ariel Goldberg, and Liz Kinnamon. Co-sponsored by the Jewish History Museum, Gender & Women Studies, and Exploded View Micro Cinema.

Free & Open to the Public

VANESSA RENWICK : NSEW FILM TOUR!!!

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Exploded View is super excited to host the fantastic Vanessa Renwick in Tucson !!

Vanessa Renwick has been a singular voice in the experimental cinema for over 20 years. Eschewing an allegiance to any one medium or form, Renwick builds authentic moving image works revealing an insatiable curiosity and unflinching engagement with the world around her. Often focusing her lens on themes of westward expansion and the locales of her adopted home, the Pacific Northwest, Renwick uses avant-garde formal elements to explore radical politics and environmental issues.

A selection of 13 shorts. These short, personal constructions demonstrate a wide range of formal approaches and subjects that include wildness, hitchhiking, death, nuclear power, gentrification and migration. Renwick’s films share a restless spirit, an interest in outlaw art-making, and an unflagging sense of wanderlust. Without fail, the work is intense, hard to pin down and even harder to forget.

“Vanessa Renwick’s films reveal the hidden stories and secret lives that define our great national weirdness, imbued with the radical curiosity and vision of a true pioneer.” –Todd Haynes

FRIDAY 3/16
Vanessa Renwick: NSEW FILM TOUR!!

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Exploded View is super excited to host the fantastic Vanessa Renwick in Tucson !!

Vanessa Renwick has been a singular voice in the experimental cinema for over 20 years. Eschewing an allegiance to any one medium or form, Renwick builds authentic moving image works revealing an insatiable curiosity and unflinching engagement with the world around her. Often focusing her lens on themes of westward expansion and the locales of her adopted home, the Pacific Northwest, Renwick uses avant-garde formal elements to explore radical politics and environmental issues.

A selection of 13 shorts. These short, personal constructions demonstrate a wide range of formal approaches and subjects that include wildness, hitchhiking, death, nuclear power, gentrification and migration. Renwick’s films share a restless spirit, an interest in outlaw art-making, and an unflagging sense of wanderlust. Without fail, the work is intense, hard to pin down and even harder to forget.

“Vanessa Renwick’s films reveal the hidden stories and secret lives that define our great national weirdness, imbued with the radical curiosity and vision of a true pioneer.” –Todd Haynes

WED 3/14
David Sherman: EXPLODED LANDSCAPES

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Join us tonight for premieres of experimental works of analogue and digital cinema exploring Southwestern terrains. ENCODED / EXPLODED (2018) Is a new video work that triangulates sites of mythic power centers in the Sonoran/Tucson basin and traces visionary intersections of the cultural/technological and natural Sonoran landscape. Also screening is the psycho-dynamic 9/11 warfare of The Graceless and agitprop documentation from Psycmap Collective’s D19 Festival of Lights intervention. Opening the show is an expanded 16mm projector performance of Sherman’s homage to AZ’s letter mountains: The Silver Returns with live improvised guitar accompaniment by Roman Barten-Sherman.

Thursday 1/18
Jon Jost & Ralph White: American Transcendence!

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A night of transcendental American experimentalism in music and film! Ev fave Ralph White (from Austin’s BAD LIVERS on banjo/fiddle/guitar/voice) will start the evening with his sonic visions! The second bill of the evening will be a rare screening of experimental works by the renowned maverick independent filmmaker Jon Jost! Jon will be in-person and presenting a selections of his visual essays and abstract videos that focus on landscape, character and “what it means to be alive”.
Come support his last American cine tour!!
 
https://www.ralphewhite.com/
http://www.jonjost.altervista.org/

Thursday 1/18
Jon Jost & Ralph White: American Transcendence!

JostFB
A night of transcendental American experimentalism in music and film! Ev fave Ralph White (from Austin’s BAD LIVERS on banjo/fiddle/guitar/voice) will start the evening with his sonic visions! The second bill of the evening will be a rare screening of experimental works by the renowned maverick independent filmmaker Jon Jost! Jon will be in-person and presenting a selections of his visual essays and abstract videos that focus on landscape, character and “what it means to be alive”.
Come support his last American cine tour!!
 
https://www.ralphewhite.com/
http://www.jonjost.altervista.org/

WED 4/26
 Romance, Apocalypse and Moon Landings: Kate McCabe + Gabriela Molina

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(filmmakers in person)

Kate McCabe will be showcasing a decade’s worth of her moving image work combining humor in experimental film and premiering her latest 16mm work, You and I Remain. A film inspired by the Anthropocene, You and I Remain is an apocalyptic lullaby, a landscape film mediating on the end of the world. Shot in Big Sur, the Salton Sea and in McCabe’s own neighborhood of Joshua Tree, the film shows us a portrait of the world askew with subtle and moving sound design by Jason Payne of Nitzer Ebb. Local fave, Gabriela Molina begins the evening with a selection of her recent fantastical cut-out animations and light experiments!

MON 3/13
  PERFORMANCE // POETICS: Trudgeon & Shuta

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(Performance // Poetics is a series of poetics implanted in performance and media art curated by Housten Donham.)

Tom Trudgeon is an artist and writer from the San Fernando Valley. His work quizzes the ways in which everyday experience brushes up against limitlessness, primarily via video and monologue.

Andrew Shuta co-runs Spork Press, a DIY publishing house, and Everybody, a new art gallery in Tucson. His radiant multi-media work is typically drenched in glossy intensities.

DREAM CITIES & NON PLACES: Emma Piper-Burket & Cáit Ní Síomón

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Emma Piper-Burket’s “Two years ago Diana was living on her own in Erbil, Iraqi Kurdistan’s buzzing capital city. She was studying to be a flight attendant and enjoying the freedom of being independent and young in a growing city. When ISIS and war returned to Iraq she moved back to her mother’s home in Sulaymaniyah. Now her days pass quietly, mostly indoors. In the darkness of frequent power outages, Diana builds a dream city in her mind.”

Cáit Ní Síomón essay films No News from Chicago is a silent narrative shot guerrilla style in McCormick Place, the largest convention center in North America. It is a document of four individuals trying to make sense of the highly codified and homogenous world of the “non-place,” when stripped bare of its function of commerce and trade.Beneath the Pavement’is a psychoanalytic study of the experience of nature within contemporary technological landscapes. The essay traces the history of an area in the south loop of Chicago from early settlement expansion to the last plot of undeveloped land within the city limits, nicknamed the “Brownlands.”

TUES 2/7
DREAM CITIES & NON PLACES: Emma Piper-Burket & Cáit Ní Síomón.

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(Filmmakers in person)

Nomadic Videomaker Emma Piper-Burket joins us with her new film , a powerful personal documentary of crisis folding in contemporary Iraq.  Piper-Burket writes, “Two years ago Diana was living on her own in Erbil, Iraqi Kurdistan’s buzzing capital city. She was studying to be a flight attendant and enjoying the freedom of being independent and young in a growing city. When ISIS and war returned to Iraq she moved back to her mother’s home in Sulaymaniyah. Now her days pass quietly, mostly indoors. In the darkness of frequent power outages, Diana builds a dream city in her mind.”

Opening the evening is Tucson’s diasporic Irish media artist Cáit Ní Síomón with two recent videos drawing from her years in Chicago. No News from Chicago is a silent narrative shot guerrilla style in McCormick Place, the largest convention center in North America. It is a document of four individuals trying to make sense of the highly codified and homogenous world of the “non-place,” when stripped bare of its function of commerce and trade. Beneath the Pavement is a psychoanalytic study of the experience of nature within contemporary technological landscapes. The essay traces the history of an area in the south loop of Chicago from early settlement expansion to the last plot of undeveloped land within the city limits, nicknamed the “Brownlands.”