Avant – AZ!! Experimental Media from TUCSON

18 Avant AZ

Our Third annual showcase of experimental media from Tucson! Come see a burgeoning blowout of homespun excellence ranging from experimental animation to music videos to poetic meditations to multi-screen video performance. Featuring several premieres and including the work of: Nika Kaiser, Eli Burke, Isamar Molina, Heather Gray, Adam Cooper-Terán, Cáit Ní Síomón, Andrew Shuta, Wylwyn Reyes, Hellen Gaudence, Andrew Brown, Dorota Zglobicka, Carolina Maki, Ringo Boomschlicka, Sam Angiulo, Bruce Caffrey, Gary Setzer, Igloo Martian, Jonathan Marquis, PsycMAP, James Gipe, Juan Carlos Barrera Romero, Bijoyini Chatterjee, Tiny Invisibility & more!

STARWOMAN/STARMAN: Dangerous Minds & Pantylines Clif Taylor + Jess Holzworth

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Probing into the deep psyche of music, fame and film this evening poses two exceptional in-person artist’s forays and genius spins on the infinite iterations of Rock & Roll. Jess Holzworth is a visual artist & video maker who employs her hyper-collage aesthetic to the making of stunning music videos for bands ranging from Beck, Black Bananas, M.I.A., and Deep Valley. These and more of Holzworth’s videos will be screened tonight. Second half of the show features meticulous historian Clif Taylor/Chick Cashman, dragged through the ashes of glam hell, in live discussion on the essence of rock and roll presenting a cosmological montage and performance manifesto, preaching + playing cosmic cowboy bullshit all while weaving a web between Cassavetes’ Killing of a Chinese Bookie, Bewitched and high heels ad infinitum!

“Your Camera is Making My Life Difficult” and other filmic misadventures by Nina Fonoroff and Eva Hayward

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(Filmmakers in person)

Since the early eighties, Experimental filmmaker Nina Fonoroff (New Mexico) has created some of the most haunting, incisive and poetically beautiful investigations of the psyche known to personal cinema. Writes Fonoroff, “Mainly a visual artist who “happened into” film, I consider my work a hybrid of collage, painting, musical composition from sampled sound and cinema. Though I begin work on a film with a rough plan, the process remains fluid, indeterminate: partly a matter of calculation and planning, partly of serendipitous discovery. This evening, Fonoroff presents several short pieces including a new film, Ursule, featuring performances by Eva Hayward (poet, scholar, and professor). As their altered selves— ingénue Clarissa and her Auntie Hortense—-the two present a series of moving images and audio collages that mark their nearly 15 years as sometime collaborators.

IMMIGRANT INVERSIONS: Lynne Sachs’ Your Day is My Night

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(Filmmaker Lynne Sachs in person)

Through twenty-five years of ever-active filmmaking, Brooklyn-based Lynne Sachs has developed a unique, personally expressive body of speculative documentary that is rich with empathy, placing the intimate experiences of individuals and families in the context of world events and global history. Her recent Your Day Is My Night portrays the lives of immigrants living in “shift-bed” apartments in the heart of New York City’s Chinatown, homes that are shared by multiple families and which form tightly interconnected multi-generational communities. Working in close collaboration with a group of Chinatown residents for one-and-a-half years, varied interviews and conversations gave way to an improvisatory film script resulting in a deeply moving film in which these non-actors portray themselves in intimately re-created performances of domestic life.

ORNETTE COLEMAN TRIBUTE: Shirley Clark’s Ornette: Made in America

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Ornette: Made in America captures Ornette Coleman’s evolution over three decades. Returning home to Fort Worth, Texas, in 1983 as a famed performer and composer, documentary footage, dramatic scenes and some of the first music video-style segments ever made chronicle his boyhood in segregated Texas and his subsequent emergence as an American cultural pioneer and world-class icon. Among those who contribute to the film include William Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez and John Rockwell. The film focuses on the struggles and triumphs of Ornette Coleman’s life as well as on the inspired intelligence that spawned his creativity and ensured his success. Experimental pioneer, Shirley Clarke’s film explores the rhythms, images and myths of America seen through they eyes of an artist’s ever-expanding imagination and experience.

BASMA ALSHARIF : Home Away from Home

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(Filmmaker, Basma Alsharif in person)

In advance of her UA VASE presentation on Thursday 3/3/16, Basma Alsharif is presenting a special program of her single-channel works at EV! Basma is an Artist/Filmmaker of Palestinian origin born in Kuwait, raised between France and the US. She developed her practice nomadically between Cairo, Beirut, Sharjah, Amman, and the Gaza Strip. Basma’s work centers on the human condition in relation to shifting geopolitical landscapes, natural environments and history. Home Away from Home presents a selection of Alsharif’s work that delves into that abyss of the idea of home. Obliterating any domestic idea of such a place, the program moves between the soporific, apathetic and psychedelic. 

 

TUES 3/1
BASMA ALSHARIF : Home Away from Home

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08-COMPOSITE-STILL

(Filmmaker, Basma Alsharif in person)
Artist Basma Alsharif comes to EV to present a special program of her single-channel exprimental video works! Basma is an Artist/Filmmaker of Palestinian origin born in Kuwait, raised between France and the US. She developed her practice nomadically between Cairo, Beirut, Sharjah, Amman, and the Gaza Strip. Basma’s work centers on the human condition in relation to shifting geopolitical landscapes, natural environments and history. Home Away from Home presents a selection of Alsharif’s work that delves into that abyss of the idea of home. Obliterating any domestic idea of such a place, the program moves between the soporific, apathetic and psychedelic.

RADICAL FEMINIST CINEMA! Chantal Akerman’s- Jeanne Dielman

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Chantal Akerman’s- Jeanne Dielman, 23, Quai Du Commerce, 1080 Bruxelles

Tonight EV pays tribute to recently departed pioneer feminist/lesbian filmmaker Belgian filmmaker Chantel Akerman (1950-2015) with a screening of her epic first feature film, Jeanne Dielman. At almost 3 hours and meticulously detailed, this film has a sense of impending doom, the daily routine of a middle-aged widow (Delphine Seyrig) whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s minimalist film encompasses an entire world. Whether seen as an exacting character study or one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. (201 minutes)

WED 2/17
RADICAL FEMINIST CINEMA!
Chantal Akerman’s Jeanne Dielman, 23, Quai Du Commerce, 1080 Bruxelles

05Jeanne Dielman

Tonight EV pays tribute to recently departed pioneer feminist/lesbian filmmaker Belgian filmmaker Chantel Akerman (1950-2015) with a screening of her epic first feature film, Jeanne Dielman. At almost 3 hours and meticulously detailed, this film has a sense of impending doom, the daily routine of a middle-aged widow (Delphine Seyrig) whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s minimalist film encompasses an entire world. Whether seen as an exacting character study or one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. (201 minutes)

SISTERS’ SCIENCE FICTIONS: Irene Lusztig’s The Motherhood Archives

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(Filmmaker, Irene Lusztig in person)

We are pleased to welcome the filmmaker Irene Lusztig (Santa Cruz) presenting her latest film, The Motherhood Archives. Archival montage, science fiction and homage to 1970s feminist filmmaking are woven together to form this haunting and lyrical essay film that excavates hidden histories of childbirth in the twentieth century. Assembling her extraordinary trove, including newly rediscovered Soviet and French childbirth material tracing the evolution of Lamaze, The Motherhood Archives inventively untangles the complex, sometimes surprising genealogies of maternal education. This extraordinary achievement illuminates our changing narratives of maternal success and failure while raising important questions about our social and historical constructions of motherhood.