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	<title>EXPLODED VIEW &#187; &#187; Jewish History Museum</title>
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	<link>http://explodedviewgallery.org</link>
	<description>ART  microCINEMA  MUSIC</description>
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		<title>Chantal Akerman&#8217;s  No Home Movie</title>
		<link>http://explodedviewgallery.org/event/chantal-akermans-no-home-movie/</link>
		<comments>http://explodedviewgallery.org/event/chantal-akermans-no-home-movie/#respond</comments>
		<pubDate>Tue, 09 Apr 2019 18:00:00 +0000</pubDate>
		<dc:creator><![CDATA[EVadmin]]></dc:creator>
				<category><![CDATA[experimental film]]></category>
		<category><![CDATA[Hanson Fil Institute]]></category>
		<category><![CDATA[Jewish History Museum]]></category>
		<category><![CDATA[Works by Women]]></category>

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		<description><![CDATA[&#8220;At the center of Chantal Akerman&#8217;s enormous body of work is her mother, a Holocaust survivor who married and raised a family in Brussels. In recent years, the filmmaker has explicitly depicted, in videos, books, and installation works, her mother&#8217;s life and their own intense connection to each other. No Home Movie is a portrait by Akerman, [&#8230;]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://explodedviewgallery.org/wp-content/uploads/2019/04/Akerman-flyer-rasterized.png"><img class="alignnone size-medium wp-image-2046" src="http://explodedviewgallery.org/wp-content/uploads/2019/04/Akerman-flyer-rasterized-231x300.png" alt="Akerman flyer rasterized" width="231" height="300" /></a></p>
<p>&#8220;At the center of Chantal Akerman&#8217;s enormous body of work is her mother, a Holocaust survivor who married and raised a family in Brussels. In recent years, the filmmaker has explicitly depicted, in videos, books, and installation works, her mother&#8217;s life and their own intense connection to each other. <em>No Home Movie</em> is a portrait by Akerman, the daughter, of Akerman, the mother, in the last years of her life. It is an extremely intimate film but also one of great formal precision and beauty, one of the rare works of art that is both personal and universal, and as much a masterpiece as her 1975 career-defining <em>Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles</em>.&#8221;—<strong>New York Film Festival, Film Society of Lincoln Center</strong></p>
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		<title>Sunday Nov 18  @7pmElisabeth Subrin’s Shulie</title>
		<link>http://explodedviewgallery.org/2018/10/22/sat-nov-18-7pmelisabeth-subrins-shulie/</link>
		<comments>http://explodedviewgallery.org/2018/10/22/sat-nov-18-7pmelisabeth-subrins-shulie/#respond</comments>
		<pubDate>Mon, 22 Oct 2018 05:16:54 +0000</pubDate>
		<dc:creator><![CDATA[EVadmin]]></dc:creator>
				<category><![CDATA[Microcinema]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Jewish History Museum]]></category>
		<category><![CDATA[video art]]></category>
		<category><![CDATA[Works by Women]]></category>

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		<description><![CDATA[Presented by the Jewish History Museum Come watch Elisabeth Subrin’s Shulie (1997), which remade a 1967 documentary about the art student turned feminist visionary, writer and painter, Shulamith Firestone, who wrote the 1970 manifesto, The Dialectic of Sex: The Case for Feminist Revolution. The film screening (37 minutes) will be followed by a panel discussion [&#8230;]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://explodedviewgallery.org/wp-content/uploads/2018/10/Shulie-2.png"><img class="alignnone size-medium wp-image-2023" src="http://explodedviewgallery.org/wp-content/uploads/2018/10/Shulie-2-231x300.png" alt="Shulie 2" width="231" height="300" /></a></p>
<p><strong>Presented by the Jewish History Museum</strong></p>
<p><strong>Come watch Elisabeth Subrin’s Shulie (1997), which remade a 1967 documentary about the art student turned feminist visionary, writer and painter, Shulamith Firestone, who wrote the 1970 manifesto, The Dialectic of Sex: The Case for Feminist Revolution.</strong></p>
<p><strong>The film screening (37 minutes) will be followed by a panel discussion with Sandra K. Soto, Ariel Goldberg, and Liz Kinnamon. Co-sponsored by the Jewish History Museum, Gender &amp; Women Studies, and Exploded View Micro Cinema.</strong></p>
<p><strong><em>Free &amp; Open to the Public</em></strong></p>
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