Introduced by German Film Scholar Annette Brauerhoch
Harun Farocki (1944-2014). Mr. Farocki made more than 100 films, many of them short experimental documentaries that explored contemporary life, and what he saw as its myriad depredations — war, imprisonment, surveillance, capitalism — through the visual stimuli that attend them. Ruminative, but with an undercurrent of urgency born of his longstanding social engagement, Mr. Farocki’s films sought to illuminate the ways that the technology of image-making is used to shape public ideology. Tonight we screen two of Farocki’s masterful late essay works: War at a Distance (2003) and Workers Leaving the Factory (1995).