Originating from Albuquerque, New Mexico, Glitter Vomit is a solo music project of Jazmyn Crosby with current collaborators Tom Foe and Beth Hansen. Glitter Vomit is music about miscommunication and the tools that make it happen. Glitter vomit sounds like static—it sounds like long slow thoughts, vulnerable sparse and layered guitar, cell phone, radio, and vocals in an echo chamber. It is music that you might hear in a basement after the apocalypse, with projections flickering like television light, mourning the loss of communication in the digital age.

A COSMIC AND EARTHLY HISTORY OF RECORDED MUSIC ACCORDING TO MISSISSIPPI RECORDS

A psychedelic film / lecture / slideshow that attempts to tell the entire history of recorded music (In America) in just 90 minutes. It features great unseen film clips from the Mississippi Records archives.  Presented by Mississippi Records founder, Eric Isaacson. From recordings of the first star in the universe being born all the way to the dark ages of the 1980’s, many stories will be told.

FILMS BY RAW MUSIC INTERNATIONAL

Great short music clips spanning the globe.  Some beautiful Cambodian music, Kenyan acoustic guitar music and even the great Digital Jesus.  http://rawmusicinternational.com

DJ SET BY GOLDEN WILSON

Before and after the show, DJ Golden Wilson (Olvido Records, Chicago) will set the mood with music from all over the place. http://olvidorecords.com

MISSISSIPPI RECORDS MERCH TABLE

LISTENING PARTY $8

Thollem / electric amalgam of PsychPunk, WorldBlues, NoiseLounge Post-Americana  + Glenn Weyant / Tucson-based jongleur + Anthony & Danielle Sanchez / analog synths & organic samples  + Chelsey Lee Trejo / experimental ambient folk-blues with a drone undertone = a quality brew of revolutionary entertainment 

Thollem’s Electric Confluence is a series of compositions for solo synthesizer integrating the multitudinous sonic experiences from Thollem’s life-long travels throughout the U.S., his curiosity and appreciation of diverse cultures and musical approaches. His compositions combine elements from disparate musics such as Gamelan, Taiko Drumming, Appalachian Folk Music, Baroque, Electro-Acoustic music, Noise, Blues, Tango, Salsa, Persian Music and more. “His compositions are a wonder, transforming the keys into a texturally staggering ensemble.” – Detroit Metro Times

Saxorcism is a 4-channel reactive sound installation by Tucson-based artist Jim Colby. Every sound the audience experiences originates from a recording of a saxophone. The installation resides at the tangled nodes of composition, sculpture, collective improvisation, and synthetic field recordings.

The showing will conclude with an electronic music performance by Jim Colby of compositions made with saxophone samples, alongside performances by John Niekrasz, Patrick Cain, and Born2Death as part of the Tucson Noise Symposium. More information about the performance here: https://www.facebook.com/events/2121091278112278/

Saxorcism has been made possible by a 2017 Research and Development Grant from the Arizona Commission of the Arts.

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When a sound is cast out from it’s physical origin, what does it become?

FREE!!

Tucson-based sound artist Jim Colby will be debuting Saxorcism, a sound installation/composition/performance created entirely from digitally mangled audio of the beguiling reed instrument known as the saxophone. The installation component will be on view inside Exploded View from noon until the start of the evening’s musical performances.

massive empathic improvisations by John Niekrasz (percussion)!

withering noise bliss from Born2Death!

synthetic beat genius from Pat Cain!

7 doors, 7.30 music, $6 FUN

A night of improvisation, loops, noise, noise-music, sounds, and more. This is the first pre-symposium symposium show for the upcoming Tucson Noise Symposium (last week of April, 2018).

We have performers traveling through and performers performing in Tucson for the first time! ! ! This will rule! !

Line-Up:
Tatsuya Nakatani (New Mexico) – percussive improvisational unhingedness
Andrew Weaters (West Texas) – guitars whirling around, voice in the vortex
CJ Boyd (permanent tour) – bass. loops. magic.
Ana Diaz Sacco – songs, keyboards, thrash [first Tucson show!]
Modular Biologique – synthesis : analysis :: construction : destruction [first Tucson show!]
Algae & Tentacles – what it sounds like

Exploded View presents the premier of local filmmaker Bryan Nelson’s short film Transforming Agave on Sunday February 11. The film runs 6 1/2 minutes long; the filmmaker Bryan, it’s subject Kyle Bert, and soundtrack composer Ryan Chavira will all be on hand to play music and talk about the film, as well as locals Blue Stained Stems. It was all filmed in the Tucson area, and is a 100% local production.

Synopsis: local musician and crafter Kyle Bert finds serenity and self-acceptance while crafting unique didgeridoos out of agave flowers that he harvests in southern Arizona.

Director’s statement:Transforming Agave is a film about more than just the art of crafting an idiosyncratic musical instrument. It’s about how the interwoven elements that go into making art are what imbue it with meaning. Kyle’s agave didgeridoos are embedded to place, to community, and to his own psychological well being in a way that reminds us of the value of deep contextual connection.

The music: Kyle Bert and Ryan Chavira infuse the natural rhythms and harmonics of an ancient world inspired by the didgeridoo (Kyle), along with the Sci-fi soundscapes of analog synthesis (Ryan), oscillating meditative patterns into a cohesive singularity best described as otherworldly.

Blue Stained Stems (incarnation 2) feeds off an interplay between Brazilian drummer Mario Iochpe and local Tucsonian Michael Henderson to arrive at ever-expanding sonic crossroads that mix samba, afrobeat, jazz, maqam, punk and rock n’ roll into a free form trance. With a playful aversion to order, yet a mindful adherence to a much necessary flow state, the band strives to perform an incrementally changing repertoire. From an immersive musical dialogue, Blue Stained Stems finds shape through guitars, oud, bassoud, and a 4-piece drum

This is one for the books. Four of the South/Southwest’s leading folksingers combine for one magical night at Exploded View in Tucson–
Karima Walker
“Able to convey things normal songs cannot, a freedom not just born of trope-avoiding experimentalism but somehow inherent in the very combinations of sounds, as though arranged into secret patterns or codes, magic spells that trump postmodern convictions.”– Wake the Deaf
https://orindalrecords.bandcamp.com/album/hands-in-our-names

Julia Lucille
“smoldering, vulnerable dream-folk” and “one of the most beautiful and haunting records you’re going to hear all year” –Gorilla vs. Bear.
https://keeledscales.bandcamp.com/album/chthonic

sun riah
“A spellbinding and crushingly personal ode to people and places and the weight we carry with us from living in and around such things.”– GoldFlakePaint
https://keeledscales.bandcamp.com/album/sitting-with-sounds-and-listening-for-ghosts

Moses Nesh
“Nesh’s vocals blur in and out of focus through his quirky slurred delivery. The effect is strangely mesmerising and equally warm, like a distant relation to those pre-war blues and old-time singers, an influence that can be clearly heard throughout No Labor-Saving Machine.”– Folk Radio UK
https://keeledscales.bandcamp.com/album/no-labor-saving-machine

$7
doors @ 7pm
music @ 8pm sharp (will end by 11pm)